| Description: | From http://www.wfg.woodwind.org This is the base chart with many different possible fingerings that are widely used. Notice how many possible fingerings there are for each note - this is why I created this site! | |||
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Stable for mp and louder on tenor and bari, mf and louder on alto | Good for tenor. |
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Good for alto. | Good for tenor. Use in combination with F6 (T f1––|–––) and G6 (T f–––|f#–––) | Good for alto | Lower pitch | Lower pitch |
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Lower pitch | Use in combination with G6 or the range D5–Bb5. | In tune, easy response, and useful in fast passages. For all saxophone models | For alto models. Stable and in tune, but awkward in fast passages. |
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Good for alto. | Good for tenor. | Good for tenor. Works well in chromatic passages and in combination with F6 (T f1––|–––) and F#6 (T f1––|f#––). |
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In tune and responsive on alto when mouth is tight and jaw is lowered. | Good for alto |
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Good for alto | Great for baritone. | In tune. |
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Easy and in tune. | For baritone. | Slightly flat. Good for baritone. |
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Good for alto and tenor. | Good for alto | Good for baritone. |
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Good for alto |
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Good for alto | Good for alto |
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Good for tenor | Good for baritone | Good for alto and tenor |
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Great for baritone | For alto and tenor. |
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Good for alto | Good intonation. Good for baritone. | Good for alto | Good for alto |
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