| Description: | From http://www.wfg.woodwind.org This is the base chart with many different possible fingerings that are widely used. | |||
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Good for alto and tenor | For tenor. | Good for alto | Good for alto and tenor |
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Good for tenor. | Good for tenor. | Useful for alto, especially in quick transitions with C7, fingered by the same fingering. | Good for alto and tenor. | Good for alto |
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Good for tenor. | For tenor. | Good for alto | Good for alto and tenor |
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Good for tenor | Good for alto and tenor | Great for baritone |
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For tenor. | For tenor. | An effective harmonic fingering. The 10th harmonic on C4. |
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Weak on tenor. | Good for alto | Good for tenor. |
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Good for alto and tenor | Good for alto | For tenor. | For tenor. | Good for tenor. | Good for alto | Good for tenor. |
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Good for tenor. | Works for alto. | Good for alto | Good for alto and tenor | Good for tenor. | Useful for alto. Requires fast air stream. | Good for alto and tenor |
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Good for alto. Can be reached by the 12th harmonic on C#4 or the 14th harmonic on Bb3. | Good for alto and tenor | Good for alto. | Good for alto and tenor | Get C#8 and D8 by lipping up this note. |